Context: I have been fascinated by the new tenant in the apartment - miss Holly Golightly, a country girl turned New York cafe society girl.
I'd been living in the house about a week when I noticed that the mailbox belonging to Apt. 2 had a name-slot fitted with a curious card. Printed, rather Cartier-formal, it read: Miss Holiday Golightly; and, underneath, in the corner, Traveling. It nagged me like a tune: Miss Holiday Golightly, Traveling.
One night, it was long past twelve, I woke up at the sound of Mr. Yunioshi calling down the stairs. Since he lived on the top floor, his voice fell through the whole house, exasperated and stern. "Miss Golightly! I must protest!"
The voice that came back, welling up from the bottom of the stairs, was silly-young and self-amused. "Oh, darling, I am sorry. I lost the goddamn key."
"You cannot go on ringing my bell. You must please, please have yourself a key made."
"But I lose them all."
"I work, I have to sleep," Mr. Yunioshi shouted. "But always you are ringing my bell..."
"Oh, don't be angry, you dear little man: I won't do it again. And if you promise to not to be angry"--her voice was coming nearer, she was climbing the stairs--"I might let you take those pictures we mentioned."
By now I'd left my bed and opened the door an inch. I could hear Mr. Yunioshi's silence: hear, because it was accompanied by an audible change of breath.
"When?" he said.
The girl laughed. "Sometime," she answered, slurring the word.
"Any time," he said, and closed his door.
I went out into the hall and leaned over the banister, just enough to see without being seen. She was still on the stairs, now she reached the landing, and the ragbag colors of her boy's hair, tawny streaks, strands of albino-blond and yellow, caught the hall light. It was a warm evening, nearly summer, and she wore a slim cool black dress, black sandals, a pearl choker. For all her chic thinness, she had an almost breakfast-cereal air of health, a soap and lemon cleanness, a rough pink darkening in the cheeks. Her mouth was large, her nose upturned. A pair of dark glasses blotted out her eyes. It was a face beyond childhood, yet this side of belonging to a woman. I thought her anywhere between sixteen and thirty; as it turned out, she was shy two months of her nineteenth birthday.
She was not alone. There was a man following behind her. The way his plump hand clutched at her hip seemed somehow improper; not morally, aesthetically. He was short and vast, sun-lamped and pomaded, a man in a buttressed pin-stripe suit with a red carnation withering in the lapel. When they reached her door she rummaged her purse in search of a key, and took no notice of the fact that his thick lips were nuzzling the nape of her neck. At last, though, finding the key and opening her door, she turned to him cordially: "Bless you, darling -- you were sweet to see me home."
"Hey, baby!" he said, for the door was closing in his face.
"Harry was the other guy. I'm Sid. Sid Arbuck. You like me."
"I worship you, Mr. Arbuck. But good night, Mr. Arbuck."
Mr. Arbuck stared with disbelief as the door shut firmly. "Hey, baby, let me in baby. You like me baby.
"I'm a liked guy. Didn't I pick up the check, five people, your friends, I never seen them before? Don't that give me the right you should like me? You like me, baby."
He tapped on the door gently, then louder; finally he took several steps back, his body hunched and lowering, as though he meant to charge it, crash it down. Instead, he plunged down the stairs, slamming a fist against the wall. Just as he reached the bottom, the door of the girl's apartment opened and she poked out her head.
"Oh, Mr. Arbuck..."
He turned back, a smile of relief oiling his face: she'd only been teasing.
"The next time a girl wants a little powder-room change," she called, not teasing at all, "take my advice, darling: don't give her twenty-cents!"
She kept her promise to Mr. Yunioshi; or I assume she did not ring his bell again, for in the next days she started ringing mine, sometimes at two in the morning, three and four: she had no qualms at what hour she got me out of bed to push the buzzer that released the downstairs door. As I had few friends, and none who would come around so late, I always knew that it was her. But on the first occasions of its happening, I went to my door, half-expecting bad news, a telegram; and Miss Golightly would call up: "Sorry, darling--I forgot my key."
Of course we'd never met. Though actually, on the stairs, in the street, we often came face-to-face; but she seemed not quite to see me. She was never without dark glasses, she was always well groomed, there was a consequential good taste in the plainness of her clothes, the blues and grays and lack of luster that made her, herself, shine so. One might have thought her a photographer's model, perhaps a young actress, except that it was obvious, judging from her hours, she hadn't time to be either.
Now and then I ran across her outside our neighborhood. Once a visiting relative took me to "21," and there, at a superior table, surrounded by four men, none of them Mr. Arbuck, yet all of them interchangeable with him, was Miss Golightly, idly, publicly combing her hair; and her expression, an unrealized yawn, put, by example, a dampener, on the excitement I felt over dining at so swanky a place. Another night, deep in the summer, the heat of my room sent me out into the streets. I walked down Third Avenue to Fifty-first Street, where there was an antique store with an object in its window I admired: a palace of a bird cage, a mosque of minarets and bamboo rooms yearning to be filled with talkative parrots. But the price was three hundred and fifty dollars. On the way home I noticed a cab-driver crowd gathered in front of P. J. Clark's saloon, apparently attracted there by a happy group of whiskey-eyed Australian army officers baritoning, "Waltzing Matilda." As they sang they took turns spin-dancing a girl over the cobbles under the El; and the girl, Miss Golightly, to be sure, floated round in their arms, light as a scarf.
But if Miss Golightly remained unconscious of my existence, except as a doorbell convenience, I became, through the summer, rather an authority on hers. I discovered, from observing the trash-basket outside her door, that her regular reading consisted of tabloids and travel folders and astrological charts; that she smoked an esoteric cigarette called Picayunes; survived on cottage cheese and melba toast; that her vari-colored hair was somewhat self-induced. The same source made it evident that she received V-letters by the bale. They were always torn into strips like bookmarks. I used occasionally to pluck myself a bookmark in passing. Remember and miss you and rain and please write and damn and goddamn were the words that recurred most often on these slips; those, and lonesome and love.
Also, she had a cat and she played the guitar. On days when the sun was strong, she would wash her hair, and together with the cat, a red tiger-striped tom, sit out on the fire escape thumbing a guitar while her hair dried. Whenever I heard the music, I would go stand quietly by my window. She played very well, and sometimes sang too. Sang in the hoarse, breaking tones of a boy's adolescent voice. She knew all the show hits, Cole Porter and Kurt Weill; especially she liked the songs from Oklahoma!, which were new that summer and everywhere. But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pineywoods or prairie. One went: Don't wanna sleep, Don't wanna die, Just wanna go a-travelin' through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair had dried, after the sun had gone and there were lighted windows in the dusk.
But our acquaintance did not make headway until September, an evening with the first ripple-chills of autumn running through it. I'd been to a movie, come home and gone to bed with a bourbon nightcap and the newest Simenon: so much my idea of comfort that I couldn't understand a sense of unease that multiplied until I could hear my heart beating. It was a feeling I'd read about, written about, but never before experienced. The feeling of being watched. Of someone in the room. Then: an abrupt rapping at the window, a glimpse of ghostly gray: I spilled the bourbon. It was some little while before I could bring myself to open the window, and ask Miss Golightly what she wanted.
About the book:
Meet Holly Golightly - a free spirited, lop-sided romantic girl about town. With her tousled blond hair and upturned nose, dark glasses and chic black dresses, Holly is a style sensation wherever she goes. Her apartment rocks to Martini-soaked parties and she plays hostess to millionaires and gangsters alike. Yet Holly never loses sight of her ultimate dream - to find a real life place like Tiffany's that makes her feel at home. Full of sharp wit and exuberant, larger-than-life characters which vividly capture the restless, madcap era of 1940s New York, "Breakfast at Tiffany's" will make you fall in love, perhaps for the first time, with a book.
Snippet from Fates and Furies
- Lauren Groff
Snippet from The Girl on the Train
- Paula Hawkins